You’ve been a Universal Audio devotee for quite some time. I know mixers who do the opposite, but that’s not my approach. The question I ask myself is, “How can I be of service to the songs?” I do everything I can to make what they create even better, but it’s not about putting my own stamp on things. Sometimes you have to let that energy breathe. Sometimes that means not fixing the problems, if you know what I mean. Most of the natural magic is on their end - my job is to help them finish, keep things cohesive, and address any problems that may arise. You said that you’re almost embarrassed by how little you need to do to their mixes, but seeing your routing and buses, that seems like an understatement. I might do a few surgical things, then drop anything that isn’t needed once I have a template.
#UAD PLUGINS LIVE PRO#
Everything is pre-compressed and pre-panned, so I load it into Pro Tools and filter tracks through my routing and summing system.
Billie is well-tuned to his process as well.īillie and Finn’s stems are pretty dialed by the time they get to me.
#UAD PLUGINS LIVE HOW TO#
He knows how to record with barely any training, and the way he captures and manipulates sounds is really thoughtful. Tell me how you, Billie, and Finneas work together.įinn just has great ears. We caught up with him at his studio in Los Angeles to learn how he used a single UAD Satellite and stockpile of UAD plug-ins to help craft melancholic, hook‑filled hits. Four years later, the duo’s debut full-length album would go on to amass five hit singles including the #1 Billboard smash “Bad Guy.”Įilish’s haunting, languid vocal performances - harkening Billie Holiday, Chet Baker, and Amy Winehouse - owe in no small part to the production prowess of mix engineer Rob Kinelski. But it’s his work with Billie Eilish that has garnered him five Grammys, including “Record of the Year” and “Album of the Year.”īillie Eilish and her producer/co-writer/brother Finneas O’Connell began turning the world upside down in 2015 with the track “Ocean Eyes,” recorded in a small LA bedroom when Billie was just 14 years old. Engineer Rob Kinelski has mixed chart-toppers for Ariana Grande, Beyoncé, and many more. When you purchase through links on our site, we may earn an affiliate commission.